Music, language and identity in Greece: Defining a national art music in the 19th and 20th centuries, CHS, King’s College London/Routledge (2019) [Μουσική, γλώσσα και ταυτότητα στην Ελλάδα. Ορίζοντας

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  Music, language and identity in Greece: Defining a national art music in the 19th and 20th centuries, CHS, King’s College London/Routledge (2019) [Μουσική, γλώσσα και ταυτότητα στην Ελλάδα. Ορίζοντας μία εθνική έντεχνη μουσική στο 19ο και 20ό αιώνα]
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  Centre for Hellenic StudiesKing ’ s College LondonPublications 21  MUSIC, LANGUAGE ANDIDENTITY IN GREECE DEFINING A NATIONAL ARTMUSIC IN THE NINETEENTHAND TWENTIETH CENTURIES edited by Polina Tambakaki, Panos Vlagopoulos,Katerina Levidou and Roderick Beaton  Contents About the contributors  viii  Editors ’  preface  xiii  Introduction 1 Roderick Beaton PART I Contested histories: Greek art music in retrospect 13 1 Karl Otfried Müller and Konstantinos Paparrigopoulos: Dorism,music and Greek identity 15 Christophe Corbier 2 Canonising Byzantine chant as Greek art music 31 Alexander Lingas 3 National music history on the eve of   ‘ the end of music history ’ :Greek music historiography and its Western models 54 Katy Romanou 4 Odes, anthems and battle songs: creating citizens through music inGreece during the long nineteenth century 63 Kostas Kardamis 5 Delving into the Athens Conservatoire Archive: musical educationas a national need 75 Stella Kourmpana PART II ‘ National music ’ : Kalomiris, Skalkottas and beyond 107 6 The harmonisation of Greek folk songs and Greek  ‘ nationalmusic ’  109 Panos Vlagopoulos v  7 Alternative Greek national music: the case of Petros Petridis 131 Nikos Maliaras 8 The last defender: Kalomiris ’ s  Constantine Palaiologos  and the ‘ Idea of Greek Music ’  138 Ioannis Tsagkarakis 9 A Greek icon: heteroglossia, ambiguity and identity in the musicof Nikos Skalkottas 157 Eva Mantzourani  10 A museum of   ‘ Greekness ’ : Skalkottas ’ s  36 Greek Dances  as arecord of his homeland and his time 178 Katerina Levidou 11 Traversing melancholy: Skalkottas reads Esperas 196 Petros Vouvaris PART III Music and language: modern poetry, ancient drama 215 12  ‘ You used to sing all my songs ’ : poetry, language and song fromSolomos to Seferis 217 Peter Mackridge 13 Reading Polylas ’ s  ‘ Prolegomena ’  (1859): poetry and music, historyand cultural politics 230 Polina Tambakaki  14 Can surrealism sing? Nikos Gatsos and song-writing 248 E   ffi e Rentzou 15 Greek productions of ancient Greek drama in the  fi rst half of thetwentieth century: music and words 262 Anastasia Siopsi  16 Performing (ancient) Greek modernism: modernist music and thestaging of ancient drama 274 Kostas Chardas vi  CONTENTS 
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